The Blackaeonium Project – Exegesis

Bibliography & References – The Blackaeonium Project – Exegesis
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Bibliography & References

A Constructed World 2006,  errors, deceits, mistakes n°1édité par costractedworld 2006, centre national de l’édition et de l’art imprimé, (cneai), France, viewed 06/06/2010, <http://errorsdeceits.blogspot.com/>

A Constructed World 2007, “Melbourne Choir of Complaints”, Increase Your Uncertainty, Australian Centre for Contemporary Art, Melbourne 2007

A Constructed World 2007, “Not-Knowing as a Shared Space, Part 6”, reprinted in the catalogue A Constructed World: Increase Your Uncertainty, Boulanger S. et al, 2007 Australian Centre for Contemporary Art

A Constructed World 2008, Explaining Contemporary Art to Live Eels #4, (exhibition) CAPC musée d’art contemporain de Bordeaux, 14 June – 14 September 2008

A Constructed World 2008, “Seven Nation Army”, Hobbs Opera Part 1, at CACP Museum Bordeaux, from the year long project Saisons Increase, viewed 12/04/2011, <http://www.youtube.com/watch?v=xpy2JmiVAq4>

A Constructed World 2009, “ACW Archive”, Blackaeonium Archival System, ACW, viewed 12/12/2010, <http://acw.blackaeonium.net>

A Constructed World 2009, SPEECH and What Archive?, A Constructed World, viewed 15/08/2010, <http://speecharchive.blogspot.com/>

A Constructed World 2010, A Constructed World, A Constructed World, viewed 02/2010/2010, <http://www.aconstructedworld.com/>

A Constructed World & Budney, Jen 2007, “Not beyond recognition, but beyond redemption” (ACW interview by Jen Budney), reprinted in the catalogue A Constructed World: Increase Your Uncertainty, Boulanger S. et al, 2007 Australian Centre for Contemporary Art

ACMI (Australian Centre for the Moving Image) 2006, “Stanley Kubrick: inside the mind of a visionary filmmaker” ACMI (exhibition), 2006, viewed 31/01/2011, <http://www.acmi.net.au/kubrick_detail.htm>

ACMI (Australian Centre for the Moving Image) 2010, “Tim Burton – The Exhibition” ACMI (exhibition), 2010, viewed 31/01/2011, <http://www.acmi.net.au/timburton.aspx>

ACMI (Australian Centre for the Moving Image) 2012, ACMI, ACMI, viewed 23/02/2012, <http://www.acmi.net.au>

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Adobe 2011, “Adobe Flash”, Adobe, Adobe, viewed 13/02/2011, <http://www.adobe.com/products/flashplayer/>

Agricola de Cologne, Wilfried 2006, [Remembering – Repressing – Forgetting]: Global Networking Project, Wilfried Agricola de Cologne, viewed 20/4/2006, <http://rrf2006.newmediafest.org>

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Alsina, Pau 2010, “Introduction: How to archive and preserve artistic practices linked to new mediums”, Artnodes eJournal, Universitat Oberta de Catalunya, December 2010, viewed 08/11/2011, <http://artnodes.uoc.edu/ojs/index.php/artnodes/article/view/n10-mediatecas-y-archivos-para-el-siglo-XXI>

Amerika, Mark 1998, Grammatron, Mark Amerika, viewed 12/04/2008, <http://www.grammatron.com/index2.html>

Amerika, Mark 2002, Filmtext, Mark Amerika, viewed 12/04/2008, <http://www.markamerika.com/filmtext/>

Amerika, Mark, 2008, “Ghost Tendencies (an excerpt from Remixology)”, VJ Theory: TEXTS, vjtheory.net, viewed 12/04/2012, <http://www.vjtheory.net/web_texts/text_amerika.htm>

Amerika, Mark. 2009, ‘Ocean of Data’, Professor VJ blog (2009), viewed 12/03/2012, <http://professorvj.blogspot.com/>

Amerika, Mark 2011, “Remix the Book”, remixthebook.com, Mark Amerika, viewed 03/01/2012, <http://www.remixthebook.com/>

Amerika, Mark (Ed) 2011, Creative Evolution: Natural Selection and the Urge to Remix, Living Books About Life, viewed 21/04/2012, <http://www.livingbooksaboutlife.org/books/Creative_Evolution>

Amerika, Mark 2012, “markamerika.com”, Mark Amerika, Mark Amerika, viewed 24/04/2012, <http://markamerika.com/>

Anissimov, Michael 2011, “What is Brownian Motion”, wiseGEEK, wiseGEEK, viewed 10/04/2011, <http://www.wisegeek.com/what-is-brownian-motion.htm>

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Arcangel, Cory 2002, “Super Mario Clouds”, Cory Arcangel’s Internet Portfolio Website and Portal, Cory Arcangel, viewed 13/09/2011, <http://www.coryarcangel.com/things-i-made/supermarioclouds/>

Archivepost, 2012, “Entropy, memory and archives” from Archive and Special Collections, Developing Archive and Special Collections for Leeds Metropolitan University, viewed 12/05/2012, <http://archivepost.wordpress.com/2012/02/08/entropy-memory-and-archives/>

Archivists’ Toolkit 2006, Archivists’ Toolkit, Archivists Toolkit, viewed 24/12/2006, <http://www.archiviststoolkit.org/>

Archon 2011, Archon.org, Archon, University of Illinois, viewed 13/05/2011, <http://www.archon.org/>

Arts in Australia 2006, “Profile: Francesca Da Rimini”, Arts in Australia Website, Arts in Australia, viewed 03/04/2009, <http://125.7.47.30/arts_in_australia/artists/artists_new_media_arts/francesca_da_rimini/>

Australian Science Archives Project 1999, Australian Science Archives Project, The University of Melbourne, viewed 24/04/2006, <http://www.asap.unimelb.edu.au>

Australian Women’s Art Register 2011, Australian Women’s Art Register, Australian Women’s Art Register, viewed 12/11/2011, <http://www.womensartregister.org/>

BAMPFA 2006, Berkeley Art Museum and Pacific Film Archive, Berkely Art Museum and Pacific Film Archive, University of California, viewed 31/03/2006, <http://www.bampfa.berkeley.edu/about_bampfa/index.html>

Basu, Paul & Macdonald, Sharon (eds) 2007, “Introduction: Experiments in Exhibition, Ethnography, Art and Science”, Exhibition Experiments, Oxford Blackwell

Bearman, David 1999, “Reality and Chimeras in the preservation of Electronic Records”, D-Lib Magazine V5:4, April 1999, viewed 24/05/2005, <http://www.dlib.org/dlib/april99/bearman/04bearman.html>

Beck, Kent et al. 2001, “Agile Software Development Manifesto”, agilemanifesto.org, viewed 31/05/2009, <http://agilemanifesto.org/>

Berkely Art Museum and Pacific Film Archive 2005, Berkeley Art Museum and Pacific Film Archive, Berkely Art Museum and Pacific Film Archive, University of California, viewed 31/05/2005, <http://www.bampfa.berkeley.edu/about_bampfa/index.html>

Beuys, Joseph 1965, How to Explain Pictures to a Dead Hare (solo exhibition), Galerie Alfred Schmela, Düsseldorf, Germany

Beuys, Joseph 1982, Joseph Beuys in America: Energy Plan for the Western Man, Basic Books

Biggs, Michael & Karlsson, Henrik (ed) 2010, The Routledge Companion to Research in the Arts, Routledge

Biggs, Simon 2010, “Authorship and agency in networked environments”, ELMCIP, ELMCIP, viewed 12/01/2012, <http://elmcip.net/node/97>

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Borgdorff, Henk 2010, “The Production of Knowledge in Artistic Research” in The Routledge Companion to Research in the Arts, Routledge

Bourriaud, Nicolas 2002, Postproduction: Culture as Screenplay: How Art Reprograms the World (2nd ed), Lukas & Sternberg, New York

Briggs, Kate 2011, Juan Davila: The Moral Meaning of Wilderness, Monash University Museum of Art

Bromfield, David 2002, “Mike Parr at Midnight – A Performance Protocol”, Behind the 8 Ball, issue 28, David Bromfield, viewed 23/05/2012, <http://members.iinet.net.au/~postpub/8ball/issue%2028/Parr=_Malevich_A_Political_Arm_.html>

Burstein, Frada 1999, “The Systems Development or Engineering Approach to Research in Information Systems: An Action Research Perspective”, 10th Australasian Conference on Information Systems

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C5 Corporation 2006, C5 Corporation, C5 Corporation, USA, viewed 23/04/2006, <http://www.c5corp.com/>

Canavacci, Massimo 2010, “Pixel Air: Digital Auratic Reproducibility” from Beyond Ethnographic Writing, 2010 Angel A. & Simeone L. Ed, Armando Armando Rome

Candy, Linda 2006, Practice Based Research: A Guide, Creativity & Cognition Studios, http://www.creativityandcognition.com University of Technology, Sydney, CCS Report: 2006-V1.0 November, viewed 22/11/2010, <http://www.creativityandcognition.com/wp-content/uploads/2011/04/PBR-Guide-1.1-2006.pdf>

Captcha 2010, “CAPTCHA: Telling Humans and Computers Apart Automatically”, Captcha.net, Carnegie Mellon University, viewed 12/01/2012, <http://www.captcha.net/>

Cass, Daniel et al. 1996, Guide to the Records and Artefacts of the Kew Asylum Museum, Australian Science Archives Project, The University of Melbourne

Cates, Jon 2010, “The Tipping Point of Failure – a solo exhibition by Rosa Menkman”, Rosa Menkman, Rosa Menkman, viewed 12/02/2012, <http://rosa-menkman.blogspot.com.au/2010/11/joncates-tipping-point-of-failure-solo.html>

Central St Martins College of Art and Design 2012, British Artists’ Film & Video Study Collection, Central St Martins College of Art and Design, viewed 12/04/2012, <http://www.studycollection.co.uk/>

Chin, Daryl 1980, “Performance Art” (review of Lyndal Jones’ new York performance of “At Home: On the Road Again”) Live Magazine, New York

Cianci, Lisa 1994, Ewing & George Paton Gallery Collection, Guide to Slides in the Collection, The University of Melbourne Archives

Cianci, Lisa and Morgan, Helen 1997, Beyond the ADS (Application of New Archival Theory and Database Technologies), Australian Science Archives Project, The University of Melbourne, viewed 12/04/2006, <http://www.asap.unimelb.edu.au/pubs/articles/asa97/>

Cianci, Lisa 2001, “Same Old Dreams”, Blackaeonium.net, Lisa Cianci, viewed 12/01/2012, <http://www.blackaeonium.net/sod.html>

Cianci, Lisa 2004, “digital content + archival methods + ambient framework = recombinant poetics”, PhD Blog, Lisa Cianci, viewed 12/03/2011, <http://www.blackaeonium.net/phdblog/index.html> (guest login as username: guest, password:guest)

Cianci, Lisa 2006, “Blackaeonium Archive”, Blackaeonium.net, Lisa Cianci viewed 12/04/2012, <http://archive.blackaeonium.net>

Cianci, Lisa 2010 “Born Archival: Creative Possibilities for Digital Media & Archival Methods”, Presented at: Future Proof: Resilient Archives 2020 and Beyond, Melbourne 12-17 October 2010, Australian Society of Archivists Conference

Cianci, Lisa 2011, “Indigo Aeonium: research portal”, Blackaeonium.net, Lisa Cianci, viewed 12/04/2012, <http://indigo.blackaeonium.net>

Cianci, Lisa 2012, “Atemporal – a collaboration in archival space”, Blackaeonium.net, Lisa Cianci, viewed 12/04/2012, <http://atemporal.blackaeonium.net>

Circus Oz 2012, Circus Oz Video Archive, Circus Oz, viewed 12/03/2012, <http://www.circusoz.com/ViewPage.action?siteNodeId=145&languageId=1&contentId=766>

Cloninger, Curt 2011, “Re: [-empyre-] glitch device/divide (slight return)”, Empyre Email list, Empyre, posted 9/12/2011, <http://lists.cofa.unsw.edu.au/pipermail/empyre/2011-December/004594.html>

Coates, Rebecca & Williams, Robyn 2008, Rosslynd Piggott – Extract: in 3 parts, Australian Centre for Contemporary Art (ACMI)

Coates, Tom 2003, “On Permalinks and Paradigms…”, Plasticbag.org, Plasicbag.org, viewed 21/05/2012, <http://www.plasticbag.org/archives/2003/06/on_permalinks_and_paradigms/>

CollectiveAccess 2012, CollectiveAccess.org, CollectiveAccess, viewed 12/01/2012, <http://www.collectiveaccess.org/>

Cook, Terry 1992, ‘The concept of the archival fonds: theory, description, and provenance in the post-custodial era’. In The Archival Fonds: From theory to practice. Edited by Terry Eastwood. Ottawa: Bureau of Canadian Archivists. Planning Committee on Descriptive Standards, 1992.

Cook, Terry 1997, “What is Past is Prologue: A History of Archival Ideas Since 1898, and the Future Paradigm Shift” Archivaria 43 (Spring 1997) pp. 17-63

Cook, Terry 2000, ‘Beyond the Screen: The Records Continuum and Archival Cultural Heritage’, Paper delivered at The Australian Society of Archivists Conference, Melbourne, Australian Society of Archivists, Australian Society of Archivists, 18 August 2000, viewed 26/09/2007, <http://www.archivists.org.au/files/Conference_Papers/2000/terrycook.pdf>

Cornell, Joseph 1936, “Rose Hobart”, as shown on the website UbuWeb Film, UbuWeb, viewed 25/04/2012,
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Coughlin, Tom 2008, “Archiving: IT’s Attempt to Stave Off Entropy”, Internet Evolution, Internet Evolution, viewed 12/05/2012, <http://www.internetevolution.com/author.asp?section_id=648&doc_id=154573>

Cramer, Susan & Jones, Lyndal 1992, Lyndal Jones, The Prediction Pieces 1981 – 1991 (writings and images from the archive), Museum of Contemporary Art, Contemporary Art Archive, Sydney

Cumming, Kate 2011, “The work of Peter Scott, an overview” Recordkeeping Roundtable, viewed 02/12/2011, <http://recordkeepingroundtable.org/2011/11/16/the-work-of-peter-scott-an-overview-2/>

Da Rimini, Francesca, Starrs, Josephine, Pierce, Julianne, Barratt, Virginia 1991, “VNS Matrix” website, VNS Matrix, viewed 12/03/2012, <http://lx.sysx.org/vnsmatrix.html>

Da Rimini, Francesca 1997, “Dollspace”, dollyoko.thing.net, Francesca Da Rimini, viewed 12/12/2006,
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Daniel Huertas, Nadal 2005, ‘The Suggestion of a Boundary: the Non-constructed Architecture of Glass A view of the artistic avant-garde, from the 21st Century’ (translated by Taylor, Jemima) Tout-Fait – the Marcel Duchamp Studies Online Journal, Art Science Research Laboratory, New York USA, viewed 21/04/2006, <http://www.toutfait.com/online_journal_details.php?postid=1529>

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Dekker, Annet (ed) 2010, Archive2020: Sustainable Archiving of Born–Digital Cultural Content, Virtueel Platform, May 2010

Deleuze, Gilles & Guattari, Felix 1987, A Thousand Plateaus: Capitalism and Schizophrenia Part II, University of Minnesota Press, USA

Deleuze, Gille 2005, Cinema I: The Movement Image, Continuum, London

Dena, Christy 2007, “Re: [-empyre-] Missive 4: Second Life and the Question of Audience”, (posted on 06/08/2007 by Christy Dena with reply message included by Patrick Lichty), Empyre: soft_skinned_space, Empyre, viewed 21/09/2007,
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Depocas, Alain 2001, “Digital preservation: recording the recoding – the documentary strategy”, Fondation Daniel Langlois, Fondation Daniel Langlois, viewed 08/04/2006, <http://www.fondation-langlois.org/html/e/page.php?NumPage=152>

Derrida, Jacques 1994, “Given time: Counterfeit money”, chapter from The Time of the King, University Of Chicago Press

Derrida, Jacques 1996, Archive Fever: A Freudian Impression, University of Chicago Press, USA

Dietz, Steve 2005, “Collecting New Media Art: Just Like Anything Else, Only Different”, in Bruce Altshuler, ed. Collecting the New, Princeton University Press: Princeton and Oxford

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Dinkla, Söke 2002, ‘The Art of Narrative – Towards the Floating Work of Art’, New Screen Media: Cinema / Art / Narrative, edited by Martin Rieser and Andrea Zapp, British Film Institute, UK

Dioscuri 2007, “Dioscuri – the modular emulator”, Dioscuri, Koninklijke Bibliotheek, Nationaal Archief, The Netherlands, viewed 25/09/2007, <http://dioscuri.sourceforge.net>

DOCAM 2010, “Nam June Paik, Royal Canadian Mounted Police, 1989”,DOCAM (Documentation and Conservation of the Media Arts Heritage), DOCAM Research Alliance, viewed 02/03/2012, <http://www.docam.ca/en/component/content/article/346-nam-june-paik-royal-canadian-mounted-police.html>

DOCAM 2012, DOCAM (Documentation and Conservation of the Media Arts Heritage), DOCAM Research Alliance, viewed 02/03/2012, <http://www.docam.ca/en.html>

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Dublin City Gallery The Hugh Lane 2011, “7 Reece Mews, Francis Bacon Studio”, Photograph: Perry Ogden, Collection: Dublin City Gallery The Hugh Lane

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Duranti, Luciana 1994, “The concept of appraisal and archival theory”. American Archivist Volume 57:2 (Spring 1994) p.343.

DVblog 2007, “DVblog: Lisa Cianci”, DVblog, blog hosted by Doron Golan, Mica Scalin & Michael Szpakowski, viewed 20/08/2007, <http://dvblog.org/?p=346>

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Engberg, Juliana, Jones, Lyndal, McQuire, Scott, Grosz, Elizabeth, Plant, Margaret and Doherty, Claire 2008, Lyndal Jones: Darwin with Tears, exhibition catalogue, Australian Centre for Contemporary Art

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History of our World 2009, “George Maciunas, Dick Higgins, Wolf Vostell, Benjamin Patterson & Emmett Williams performing Philip Corner’s Piano Activities at Fluxus Internationale Festspiele Neuester Musik, Weisbaden 1962”, Photograph by Hartmut Rekort, image capture from content on History of our World Blog, containing material taken from the publication Fluxus, Thomas Kellein : George Maciunas : Jon Hendricks, Thames & Hudson, 1995, viewed 02/02/2012, <http://historyofourworld.wordpress.com/2009/12/02/fluxus-fluxus-1995/>

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created 01/12/2011
last modified 30/07/2012

 



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