Microsoft’s attempt at engaging millennials with artificial intelligence has backfired hours into its launch, with waggish Twitter users teaching its chatbot how to be racist.
The company launched
JUL 17, 2001, RHIZOME
“Recently, at a public presentation on Net art the Power Plant, a Toronto-based gallery of contemporary art, a middle-aged man came forward as “Mouchette,”the possibly ficitional nymphet who has revealed her inner thoughts and emotions on …
Expanded Identity in Mouchette and La Turbo Avedon
By Saoirse Wall
The_Multitudinous_Self.pdf…
Mouchette filtered out in march 2016 from browsing inside Ecole des Beaux-Arts de Paris when browsed by Emmanuel Guez who sent this screenshot as evidence. This happened to me so many times in France where websites are filtered out in …
Microsoft’s attempt at engaging millennials with artificial intelligence has backfired hours into its launch, with waggish Twitter users teaching its chatbot how to be racist.
The company launched
Date: Thursday March 17, 2016
From left to right: Michael Connor, Porpentine, Néotenomie (collaborator of Porpentine), Keith and Mendi Obadike, Yael Kanarek, Martine Neddam, and another collaborator to Porpentine.
Mouchette’s Private Encounter is featured in a front page exhibition on Rhizome.org.
Artist Martine Neddam has been impersonating a lonely 12-year old girl on the internet for two
FIRST LOOK AT HYPERTEXT CHARACTERS
Date: Thursday March 17, 2016
This event features presentations of three works of digital art and literature that allow users to engage and identify with on-screen characters: Mouchette.org (1996–ongoing) by Martine Neddam; The Pink …
“Mouchette being archived by her fans”
or “La Mariée mise à nu par ses célibataires même” (Marcel Duchamp)…
MARTINE NEDDAM CREATED HER FIRST VIRTUAL CHARACTER ON THE INTERNET IN 1996 AS A PIECE OF ART. SCHIRN MAGAZINE TALKED TO HER ABOUT DIGITAL IDENTITY TODAY.
Who is that girl on Mouchette’s homepage?
Her name is Céline. Last week in London we saw each other again for the first time after 30 years!…
This excellent screen capture of Mouchette.org website (14 minutes) was created for the exhibition “Electronic SuperHighway 1966-2016”, in the Whitechapel Gallery in London January/May 2016. It was made by Rhizome, using one of their emulators (therefore showing the …
“Naming and Necessity” Saul Kripke 1980
The name of Mouchette has been cut out in this page inside the catalogue of Electronic Superhighway.
And for the first time the name of the Martine Neddam appeared in the show of …
SIGHT.SOUND [INTERACTION] is an annual exhibit founded and curated by jason.sloan, faculty in the Maryland Institute College Of Art’s INTERACTIVE ARTS Department & Sound Art program coordinator. This annual exhibition brings together a wide …
Here is an invitation page for a private encounter
This work (to/you/only) exists since 2002, but you can only see it when I have your email inside my database. Here, for the first time you can offer your email for …
Announcing here my participation to the exhibition of the Whitechapel Gallery Electronic Superhighway (2016-1966)
Press release: Electronic Superhighway (2016 – 1966)
29 January – 15 May 2016
Media view: Thursday 28 January, 10:00-12:00
Galleries 1, 2, 8 & Victor
This screen recording was made for the DVD Beyond Physical Space: examples of documentation.
In Navigating E-Culture, edited by Cathy Brickwood and Annet Dekker. Amsterdam: Virtueel Platform, 2009
Video by Martine Neddam, Annet Dekker and Ward ten Voorde…
This could be my New Year’s card for 2016, carrying all my best wishes for everyone. Why? Why be so obsessed about a film on the Shoah and the Sondercommandos? What mysterious message does it carry to the future, some …
Splashback: Rhizome’s Splash Pages, 1998-2002.
Mouchette’s standard biography reads: “My name is Mouchette. I am an artist. I live in Amsterdam. I am nearly 13 years old.” Her deadpan expression of innocence is a setup devised to heighten the impact …