Un Stedelijk virtual, anárquico y revolucionario >> El arte en la edad del silicio >> Blogs EL PAÍS
Por: Roberta Bosco y Stefano Caldana | 24 de diciembre de 2012
Temporary Stedelijk reúne en una única página 25 obras firmadas …
Versions, comments and authenticity By Annet Dekker at ISEA 2011 Istanbul
Summary: When talking about representation and reproduction it is hard not to talk about authenticity. In this paper I will discuss the changing meaning of authenticity, in which I …
Best Of – Mouchette via Source Code by Luis Silva 23/7/2005
One of my first experiences with netart was back in 1999, while I was studying in France. I remember reading a small article in a contemporary art magazine (I’m …
Mouchette: a website created by a pseudonymous author carrying the identity of Mouchette, is an artist, claims to be “nearly thirteen” and living in Holland, but the persona of this person, both real and virtual I cant explain, …
La Fin d’un Monde marca también el regreso de la misteriosa Mouchette, nombre de arte de una artista francesa afincada en Ámsterdam, ue se convirtió en un icono de la escena del net.art en la década de 1990, …
Desde Brueghel al net.art: el Salón des Refusés de la era digital >> El arte en la edad del silicio >> Blogs EL PAÍS
La tercera edición de la polémica LaFiac, una exposición online que reúne lo más actual …
Mouchette passe le mur du musée, par Aude Crispel in Poptronics
Maquina o Maravilloso » Blog Archive » Nuevos Medios o Nuevos Miedos
Esta noción de máscara o de interfaz movil se hace sintomática en el proyecto Mouchette[10], comenzado en 1996, cuya autoría es un secreto. “Mi nombre es …
Disembodied? Identity Construction in a Constructed World by Domenico Quaranta
“Our digital experiences are out-of-body. This biases us toward depersonalized behavior in an environment where one’s identity can be a liability.” Douglas Rushkoff [1]
–Pat
Some years ago, I got …
Web Works That Insist on Your Full Attention – New York Times
Rhizome, one of the premier platforms for
Mouchette, clone de la Mouchette de Bresson morte à 13 ans, prouve sa réalité dans le site Flesh and Blood en montrant sa langue d’une manière qui touche aux limites les plus physiques du médium : …
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Le travail de Mouchette, dont la large reconnaissance justifie ici la mention, constitue, audelà de toutes ses préoccupations d’interactivité, un exemple tout à fait représentatif de la confrontation topologique de contiguïté des espaces en relation.
«effleure…… …
Here is the whole pdf of the publication Archive2020 where my text Zen and the Art of Database Maintenance was published first in August 2012.
Downloadable here in a zipped form: Archive2020.pdf
Amsterdam, May 2011…
Internet transforme les processus de définition d’une …
La simulación permite jugar con la ambigüedad, crear identidades imaginadas o posibles, como en el caso de Mouchette (3),una página personal de una chica de 13 años cuya identidad se construye de forma colaborativa por varios autores, o el caso …
Immaterial Girl. Artforum-May-2001
Robert Bresson’s 1967 film Mouchette, in which the fourteen-year-old protagonist is driven to suicide, might seem a grim premise for a website, but www.mouchette.org transcends the merely macabre to offer a gripping prototype for Net artist as …
(…) The artist Mouchette playfully introduces a new forum for exorbitant injustice in Lullaby for a Dead Fly [20]. In the animation, the artist invites the player to kill a fly with a click of the mouse. In this simple …
Interactivity and Accountability by Sarah Stein and Edward Yip, Dartmouth.edu, 2005
This seemingly innocent introduction by a child artist hides the shocking content within Mouchette’s website. Allegedly authored by a twelve-year-old French girl, “Mouchette” is a complex site consisting of …
Cultural Logic in Cyberspace: Web Art & Postmodernism by Amy Divila
in Journal of New Media Culture, Summer 2002
(…) Flesh & Blood greets its audience with images of a face pressed «between the glass surface of the user‘s …