There are plenty of things to dislike about the intranet and “being online” in general. In a world where we have access to
The Entrepreneur Magazine remembers Mouchette as a story told on the internet
There are plenty of things to dislike about the intranet and “being online” in general. In a world where we have access to
WITTE ROOK, ENTREPOT
E) Can you tell us something about yourself, your practice, and how you became active as an artist on the internet?
(M) My …
Engenharia semiótica e arte digital interativa: Um estudo da autoexpressão do artista-designer
…A SHORT HISTORY OF SELF-REPRESENTATION IN DIGITAL ART
by TINA SAUERLANDER
The Tactics of Interfacing by Ksenia Fedorova
How digital technologies affect the way we conceive of the self and its relation to the world, considered through the lens of media art practices.
Mouchette is being presented in the chapter called …
Dekker, Annet: Assembling Traces, or the Conservation of Net Art.
In: NECSUS. European Journal of Media Studies. Spring 2014. Dekker pleas for a not only backward-looking conservation of net art. On …
A deliberação e o destino encoberto
Rodrigo Hipólito
Mestrando do Programa de Pós-Graduação em Artes da Universidade Federal do Espírito Santo.
Revista do Colóquio de Arte e Pesquisa do PPGA-UFES, ano 4, v.3,n. 6, junho 2014.
Abstract: From the analysis …
SER OU NãO SER UMA NUVEM? OU ECOS DOS ASSASSINATOS DE UMA MOSCA
TO BE Or nOT TO BE A CLOUD? Or EChOES OF ThE MUrDErS OF A FLy
Rodrigo Hipólito
DTAM-UFES/FAEV
The present article deals with the staging of …
Artigo apresentado no Seminário Ibero-americano Poéticas da Criação ES, 2014, Vitória: UFES. São Paulo: Intermeios, p. 212-219.
Angela Grando/ Rodrigo Hipólito
Download the pdf: Collaboration_as_Substance_of_the_Art
“How can we know who we are when our views and choices are computer-assisted and …
Apropriação e participação em Mouchette Org: a profundidade no zerodimensional (p. 397/404)
Rodrigo Hipólito dos Santos
PDF available (the complete publication) here: Poeticas_da_Criacao_UFES_2013
Here is the article only (P.397/404) : Appropriation_and_participation_in_Mouch
…
(Dé)jouer les identités numériques : Net art et médiactivisme
Par Jean-Paul Fourmentraux
CNRS Editions
Télécharger le document ici: De_jouer_les_identites_numeriques_Net_a.pdf
“Apparu dans le courant des années 1990, bien avant le développement des « Wiki* » ou des blogs – hâtivement désignés …
Archived pdf version here: Leornardo article
ON THE INTERNET, NOBODY KNOWS YOU’RE A DOG: THINKING ABOUT …
Op het gebied van computerkunst is Nederland een internationale grootmacht, maar vrijwel niemand weet dat. Daarom is er nu een Canon voor Digitale Kunst.
EDO DIJKSTERHUIS
Mouchette is dertien jaar oud en woont in Amsterdam. Op haar homepage is een …
The afterlives of network-based artworks
Journal of the Institute of Conservation
Volume 40, 2017 – Issue 2
Summary
Due to the obsolescence of software programmes, hardware and network infrastructures, many network-based artworks have disappeared. How can we give them an …
Necsus | Assembling traces, or the conservation of net art by Annet Dekker.
Download the PDF here: Assembling_traces_or_the_conservation_of_net_art
Or read it online at the University of Amsterdam
Net art is built and distributed through a complex, intricate, and interrelated …
In 2011, I curated NetArtWorks, a series of small thematic online net art exhibitions on the theme of Identity Works for SKOR (Foundation for Art and Public Domain) in Amsterdam. Each presentation consisted of two newly …
Neddam explores the aesthetics of software and code in profound and intricate ways. With prominent moving GIFs, a mix of different language styles (from literary poetry and invented language to audience comments), …
A conversation between Martine Neddam (MD) and Annet Dekker (AD)
A: When looking back at the website Mouchette.org one could say that it was one of the first fictional personal blogs, a diary of a young girl. But moving beyond …
Le Jeu de Paume, galerie nationale d’art contemporain dédiée à la photographie et aux arts visuels, a ouvert depuis octobre 2007 un espace virtuel consacré aux pratiques artistiques sur le réseau Internet. La dernière exposition
Amalia Ulman : “J’aime travailler avec une chose qui me dégoûte”
by L’Officiel Art 30.01.2017
L’Officiel Art : Pour commencer, dites-nous quelques mots de vos origines et du parcours qui vous a amenée à devenir artiste.
Amalia Ulman : Mon